Considerations concerning the Aristotelian ethics into the Sophocle's tragedy: The case of King Oiedipus
Tito Barros Leal de Pontes Medeiros
Original title: Considerações acerca da ética aristotélicanas tragédias sofoclianas: o caso de Édipo Rei
Published in Mirabilia 4
Keywords: Aristotelian Ethics, History, King Oiedipus, Sophocles.
This article tries to understand the Sophocle's production questioning the traditional temporary demarcation of the Greek history in the Archaic Period (XII - VI B.C.) and in the Classic Period (V - IV B.C.), proposing the century V B.C. as transition among these periods. They are also analyzed some Aristotelian concepts that are supposed fundamental to understand the philosophical-educational dimension of the Sophocle's tragedy and, in this sense, to try to observe ethical elements in the actions of Oiedipus, starting from the tragedy King Oiedipus.
Conversio ad creaturam and distentio animi: Considerations on non-being in the problems of evil and time in Augustine of Hippo
Bento Silva SANTOS; Adriano BERALDI
Original title: Conversio ad creaturam e distentio animi: Considerações sobre o não-ser nos problemas do mal e do tempo em Agostinho de Hipona
Published in Returning to Eden
The present article is dedicated to trace thoughts about some identifiable correspondences between Augustine of Hippo's conceptions of evil and of time through the indication of a relation between the movements of the voluntary defection of the will and the dispersion in the temporal mutability of the human creature in its link with non-being. To this end, some aspects of these conceptions will be examined both as worked out in De libero arbitrio and those elaborated in the Confessions, more specifically in Book XI (and to a certain extent in X), both works of the hyponensis where they appear, we believe, mutually implicated through the notions of conversio ad creaturam and distentio animi respectively.
Crusade and Spectacle. The dramatic fiction as a substitute for military action
Francesc MASSIP
Original title: Cruzada y Espectáculo. La ficción dramática como sustituta de la acción bélica (siglos XIV y XV)
Published in The Middle Ages and the Crusades
Keywords: Party, Real dramaturgy, Show, War action.
Naval shows, triumphal entrances and celebrations in the fourteenth and fifteenth centuries in the Iberian Peninsula and thought as a dramatic fiction replacing military action is the intent of this article.
Crusader Coins: an introduction to their typological and stylistic analysis
María LAURA MONTEMURRO
Original title: Monedas de las Cruzadas: introducción al análisis de su iconografía y estilo
Published in The Middle Ages and the Crusades
Keywords: Coin types, Coinage, Coins, Crusader, Latin East, Numismatics.
The numismatic material offers an outstanding opportunity for iconographic studies, often neglected by art historians. For ages, coinage has not simply served as a medium of financial or commercial exchange, but also (and more interestingly for the art historian) as a vehicle that conveyed, through a wide territorial span, design and iconographic concepts of enormously influential gravitation. Crusader coins are not an exception: on the contrary, its influence in the late mediaeval coinage in regards to iconography and other devices was paramount. This paper attempts to draw attention to several aspects related to the iconography of the Crusader coins, their probable typological models and derivations, that it, its decisive influence in the later Mediaeval and early modern coinages.
Culture and school in the Middle Ages. Light and shade of educational problems
Giorgio CRESCENZA
Original title: Cultura y escuela en la Edad Media. Luces y sombras de problemas educativos
Published in
Keywords: Church, Education, Libraries, Medieval Age, Thomas Aquinas, University.
Famines and pestilences that alternated in the medieval age did not always allowed an orderly and regular flow of life. In this context, education and culture have not been a priority for all and of all, however cultural and educational strengths are many, including the birth of Universities and libraries. The article deals with a historical-pedagogical analysis on what happens in the school or in institutions similar to it which transmit culture codified in certain forms, through certain tools, with specific purposes. And this with the awareness that, especially in some periods, Courts and Churches are exactly the main vehicle of education, unlike school. It seems that an extensive renewal movement crosses the same religious circles and, on this point, the pedagogical project by Thomas Aquinas is reminded.
Cynocephalus in commentario? The monstrous or savage nature of infidels as juridical argument
Alejandro MORIN
Original title: Cynocephalus in commentario? El carácter monstruoso o salvaje de los infieles como argumento jurídico
Published in The Middle Ages and the Crusades
Keywords: Innocent IV, Islam, Monstrosity, Oldradus de Ponte, Savagery.
For some years a type of historiographical approach has rendered fruits about the relation Christians-Muslims, focused on the perception/construction of alterity. This is evident in different works that analyze the medieval “images” of the unbelievers created in a hostile context. But this approach can ignore the rhetorical-juridical inscription of the description of the unbeliever in teratological or wild terms. What seems an ethnographic reference that says much about the medieval Christian ethnocentrism may in certain context operate as a juridical argument that enables one type or another of justification for the conquest on unchristians. We pose here the convenience of bringing together two subjects that medievalists had developed separately: the history of the Christian stereotypes of Saracen “monstrosity” and the history of medieval law.
Dante (c. 1265-1321) and the Musical Aesthetics of the Divine Comedy
Gustavo Cambraia FRANCO
Original title: Dante (c. 1265-1321) e a Estética Musical da Divina Comédia
Published in The Medieval Aesthetics
Keywords: Dante Alighieri, Divine Comedy, Medieval Aesthetics, Music, Poliphony.
The present article aims to analyze the figurative-musical aesthetics elaborated by the poet Dante Alighieri in the Divine Comedy, through the use of musical concepts, contemporary to the author, of monodia gregoriana and choral polyphony. The aim is to demonstrate how Dantian musical theory is applied in the Commedia using an imagetic and instrumental musical repertoire and a specific set of lexical and poetic expressions, whose function is to express, in a comprehensible way to the reader and interpreter, the sonorous dissonance, disharmony and the antimusical cacophony of Hell, the nature of the sacred, monodic Gregorian chant of Purgatory, and the symphonic and polyphonic musical nature of Paradise.
David Negro: a court Jew in the juncture of 1383-1385
Manuela Santos SILVA and Alice TAVARES
Original title: David Negro: un judío cortesano en la coyuntura portuguesa de 1383- 1385
Published in Aristocracy and nobility in the Ancient and Medieval World
Keywords: Court Jews, Don David Negro, King D. Fernando, King D. João I.
Contribution to the study of Portuguese Judaic courtiers, in particular of Don David Negro. King Fernando’s councilor and royal servant, and the later rabbi in Castilla, during the reign of Juan I. Don David took part in the political rebellion of 1383 – 1385 which resulted in the rise of the Master of Avis to the throne of Portugal – D. João I.
De haruspicum responso: religion and politics in Cicero
Claudia Beltrão da Rosa
Original title: De haruspicum responso: religião e política em Cícero
Published in Mirabilia 3 (2003)
Keywords: Cicero’s Discourses, Republican Rome, Roman Religion.
Analysis of aspects of the roman religion, as put forwards in Cicero’s De haruspicum responso
Death, Human Sacrifice and Rebirth: An Iconographical Interpretation of Viking Runestone of Hammar I
Johnni Langer
Original title: Morte, Sacrifício Humano e Renascimento: Uma interpretação Iconográfica da Runestone Viking de Hammar I
Published in Mirabilia 3 (2003)
Keywords: Viking culture, human sacrifice and ritual, megalithical epigraphy, religion and power.
The present article still interprets an iconographic source without detailed academic studies, the Viking runestone of Hammar I, originary of the island of Gotland (Sweden). An important document on the religious mentality of the Scandinavians, its mythological conceptions on the deities, human sacrifices, life after the death and some important symbols for the cult to the Óðinn god. Another basic aspect of our interpretation is the possibility to compare the classic Icelandic sources, writings during the Christian period after-Viking (séc. XI d.C.), with an original megalithical document of the Age Viking heathen (séc. IX d.C.). Our main methodologies for analysis had been the epigraphical techniques supplied by the British runologist Raymond Ian Page and the techniques of iconographic interpretation of the French historian Régis Boyer. As conclusion, we could verify that runestone of Gotland had a intentional "pedagogical" function in terms of imaginary religious, confirming ideas and strengthening aspects of the odinic cult. It structuralized the image and the faith of that warlike died in battle they could inside to the hall of the Óðinn god, rewarding its martial life.