Apocryphal storie's influence on Medieval Art
Patricia Grau-Dieckmann
Original title: Influencia de las historias apócrifas en el Arte
Published in Mirabilia 1
Keywords: Apocryphal Gospels, Art, Canonical Gospels, Flight to Egypt, Iconography, Legends..
Christian art depicts scenes on the life cycles of Virgin Mary and Jesus that, even though they are familiar to our eyes, entail an iconographic content that does not strictly reflect the accounts of the Canonical Gospels. These scenes, although conceived in the Church's own bosom, are based on legends, apocryphal stories and oral traditions. Within this context we will consider works produced from the 5th to the 15th century and will analyze the way in which the Apocryphal Gospels and some orally transmitted traditional legends have conditioned the iconography of the Holy Family's Flight to Egypt.
Apotropaic Middle Ages laughter: Visions of the Sacred Obscene in Classical Greece
Manuel ÁLVAREZ JUNCO
Original title: La risa apotropaica medieval: visiones de lo obsceno sagrado de la Grecia Clásica
Published in Music in Antiquity, Middle Ages & Renaissance
Keywords: Apotropaic, Classical Greece, Evil eye, Middle Ages, Romanesque, Sacred obscene.
In classical Greece, the images of the apotropaic –protector against evil eye, satanic spirits or misfortune–, together with their magical and sacred aspects, combined the grotesque, the obscene and the laughable. This article delves into the analysis of this surprising conjunction in the symbolic visualizations of that culture, pointed out by some authors as belonging to the “sacred”. It also analyzes them as a possible origin of the images of explicit obscenity of the carvings on the exteriors of many buildings of the European Middle Ages, such as the spinaries, sheelas, double-tailed mermaids, moons, gargoyles, caganers, etc.
Application of Restorative Justice for Cases of Animal Abuse
Maria Madalena Soares de Souza ESTEVES, André Marcelo M. SOARES
Original title: Aplicação da Justiça Restaurativa Para Casos de Maus-Tratos Animais
Published in
Keywords: Animals, Environment, Sex Offenses, Socialization.
This article analyzes the application feasibility of restorative justice to cases of bestiality and animal abuse, considering it to be a form of justice’s promotion that does not overlap with the current model, and which can be exercised by the Judiciary as a procedural stage, and still to involve, besides the victim itself, others affected. First, the legal nature of subhuman animals was analyzed, then the concept of the new model of justice, and, finally, the theoretical reference of social reconstruction.
Aquinas’ Reading of the Aristotelian Noetic Doctrine in De Anima 3, 5
Luiz ASTORGA
Original title: La Lectura de Santo Tomás de la Doctrina Noética Aristotélica en De Anima 3, 5
Published in Returning to Eden
Keywords: Active Intellect, Immateriality, Passive Intellect, Possible Intellect, Theory of intellect.
The goal of this paper is to show that Saint Thomas Aquinas’ reading of the Aristotelian text in the treatise On the Soul (Περὶ Ψυχῆς, De Anima) regarding the nature of the human intellective faculty – especially in the critical passage of Book III – is not only true to Aristotle’s intentions, but is also more correct and complete than the one put forward by many of Aquinas’ modern critics, who only admit in Aristotelian doctrine a passive intellect and an active intellect.
Archaeology and his break: the need for genealogy and the appearance of power relations in Michel Foucault thinking
Thana Mara de SOUZA, Bruno Abilio GALVÃO
Original title: A arqueologia e seu rompimento: a necessidade de uma genealogia e o aparecimento das relações de poder no pensamento de Michel Foucault
Published in Art, Criticism and Mysticism
Keywords: Archaeology, Genealogy, Knowledge, Speech, power.
Breaking the boundaries of archeology is the result of a long trajectory of Foucault’s thought that in L’Archéologie du savoir, becomes unable to analyze the new issues that arise: the subject and social grounds relating to the choices of themes and theories that make certain discourse. The question of the subject presented in archaeological history from the beginning, in Histoire de la Folie, linked to the concept of historical a priori, as it always refers to a “someone” involved in discursive practices. But the “social foundation” appears in L’archéologie du savoir when Foucault investigates the strategic formations of a speech. From that moment, to explain the emergence of knowledge linked with social practices in which the subject is inserted, Foucault opts for a genealogy of power. So the aim of our work is to show how the breaking of boundaries of archeology, a fact that drives Foucault to look at the thought of Nietzsche, genealogy as a method that provides continuing with their studies occurs. As we reach the archaeological limit Foucault entering his genealogical period, we will see the emergence of the issue of power and its relation to the discursive practices presented during the term of archeology.
Architecture in the Cantigas de Santa Maria by Alfonso X (13th century): Huelva, the Islam and the triumph of the Virgin Mary
Bárbara DANTAS
Original title: Arquitetura nas Cantigas de Santa Maria de Afonso X (séc. XIII): Huelva, o Islã e o triunfo da Virgem Maria
Published in
Keywords: Architecture, Islam, Middle Ages, Virgin Mary, War.
The Cantigas de Santa Maria by king Alfonso X is a work with three artistic expressions: music, literature and painting. There are about 420 songs with reports of miracles and praises to the Virgin written in galician-portuguese and accompanied by illuminations that represent words in images. The focus will be to demonstrate the presence of architectural forms in the text and the illumination of the Cantiga 273, the miracle report of the city of Huelva-Andalusia. The architecture as a record of the defeats and victories occurred in the battles between christians and moors during the centuries of the Reconquest of the Iberian Peninsula, as well as the pacific artistic syncretism of that time.
Aristocracy and Nobility in Dante Alighieri
Moisés Romanazzi TÔRRES
Original title: Aristocracia e Nobreza em Dante Alighieri
Published in Aristocracy and nobility in the Ancient and Medieval World
Keywords: Aristocracy, Dante Alighieri, Nobility.
One of the essential elements of the whole Political Philosophy of Dante Alighieri was your considerations about the aristocracy and the nobility. For him, the two notions are different although in a certain way they correspond to the same matters. This aristocracy, however, it will only reach the divine talent that is the true nobility if it be educated according to the parameters of the Aristotelian philosophy. It is this, in fact, the ethical theme of the Convivio. In Commedia, Dante persists in these ideas. It is exactly for this reason that he reserves the Limbo the great wise persons of the Antiquity. In the one of Monarchia, he treats of the relationships between the supreme nobleman, the emperor, and the princes, the private noblemen that lead the human crowds.
Art and Medicine - An Optional Mutual Relationship
Georgia Dunes da Costa MACHADO
Original title: Arte y Medicina - Una Relación de Mutualismo Facultativo
Published in
Keywords: Art, History of Medicine, Interdisciplinarity, Medical Humanities, Transdisciplinarity.
As we evolve scientifically, we move away from the art involved in the intrinsic care of medicine. Many of our doctors are more blind, deaf, less tactile, devoid of empathy, as well as massacred by the high number of care they need to perform and the shameful conditions of work and service to which they are subjected and who are obliged to submit their patients. How can we not distance ourselves from models of behavior like that of William Osler (1849-1919)? This work presents different possibilities of using the arts as an example of a tool for reversing the proven loss of empathy of the medicine students. This through interventions in this process, as well as a reflection about the preconception of the hierarchy of knowledge and the feeling of unpreparedness of the faculty for the basic ability of mediation between art and medical-humanistic contents. It is possible, with the involvement of the emotion, as it happens with the musicians of an orchestra, to govern such mediation of an eye in the good final product: a new or old doctor that disturbs and surprises his patient, being a watershed in life of the individual who puts his full trust in him. In these terms, the use of the arts emerges as an important pedagogical resource, oriented to the rescue of the origins of Medicine, being the technologies and medical science incorporated for the benefit of the patient protagonist in a process of voluntary mutualism between medical art and medical science. This desire sums up in the phrases: “The curricular contents should teach not only the auscultation but the Listening; not only the palpation, but the Comfort to those who suffer; and not only to treat but to broaden the meaning of the act of caring”; “the worst man in science is he who is never an artist, and the worst artist is one who is never a man of science.”
Aspects in Boethius (480-524) and his use of topical arguments and hypothetical syllogisms
Luana Talita da CRUZ
Original title: Aspectos lógicos em Boécio (480-524) e seu uso de argumentos tópicos e silogismos hipotéticos
Published in Games from Antiquity to Baroque
Keywords: Boethius, Hypothetical Syllogisms, Medieval Logic, Topical Arguments.
This paper intends to draw attention to logical aspects to be found in Boethius’s works. Our intention is to highlight a connection between topical arguments and hypothetical syllogisms as well as the way Boethius uses a logical approach as the foundation of his philosophical arguments in treatises other than his commentaries on specific logical theories.
At the Dawn of Modernity. Music and Painting in the time of Afonso V (1396-1458), the Magnanimous
Ricardo da COSTA; Alexandre Emerick NEVES; Antonio Celso RIBEIRO
Original title: Na Alvorada da Modernidade. Música e Pintura no tempo de Afonso V (1396-1458), o Magnânimo
Published in Games from Antiquity to Baroque
Keywords: Afonso the Magnanimous, Crown of Aragon, Hispano-Flemish Art, Renaissance Music.
Estudo da música renascentista e da pintura hispano-flamenga da corte napolitana da Coroa de Aragão durante o reinado de Afonso V, o Magnânimo (1396-1458) à época do Poemário (Dictats) de Ausiàs March (c.1397-1459).
