Humberto Schubert COELHO

Fábio FORTES; Humberto Schubert COELHO

Original title: Reflexões sobre o daimon (δαίμων) na Poesia Grega e em Platão

The term daimon appears in Greek literature in the Homeric poems, but it receives great prominence in the context of Platonic philosophy, as a manifestation associated with Socratic methodology. In this article, we propose to trace how the term appears in the Greek poetry – especially in Homer’s – and the meanings it maintains in the later philosophical tradition, especially in Plato's dialogues. The objective is to analyse the singularities of meaning in the poetry and in Plato’s philosophy, highlighting, in each case, the meanings associated with a possible divine or human transcendence.

Armando Alexandre dos SANTOS; Ricardo da COSTA

Original title: O Reino do Espírito na transcendência da imagem de Cristo. O Bom Pastor na Arte Paleocristã (sécs. III-IV)

The aim of the work is to analyze the iconographic theme of the Good Shepherd (Jo 10, 6-15) in Paleochristian Art (III-VI centuries) and the reasons for its popularity. Our methodology will be comparative: documents and images from the same period, with an interpretative emphasis on carved scenes in three Roman sarcophagi from the 3rd and 4th centuries.

Manuel ORTUÑO ARREGUI

Original title: Los rasgos doctrinales del cristianismo primitivo y la medicina. De la Didascalia Apostolorum a Gregorio de Nisa

The aim of this paper has been to present the doctrinal features connecting early Christianity and medicine through the theological contributions of the holy fathers. Specifically, we have focused on the evolution of the doctrinal relationship from the Didascalia apostolorum to Gregory of Nyssa. In the analysis of this relationship through the texts we discover two ways of seeing the medicine of his time at the beginning of the diffusion and transmission of the Christian message and the beginning of its anthropology as opposed to paganism or Christianity. Basil represents a less scientific or rational medicine, and on the other hand, Gregory of Nyssa offers us a penitential and even pastoral medicine with evident Neoplatonic philosophical influences. In short, we can see an advance in the beginnings of Christian anthropology and its relationship with the medicine of the time, which can be summed up in the beginning of the ‘Theology of Illness’, which is fundamentally centered on penitential medicine.

Luiz Cláudio Luciano França GONÇALVES

Original title: Música, Artes Liberais e transcendência em Agostinho de Hipona (354-430)

The dialogue De musica (387/391) is part of the unfinished project of the Disciplinarum libri, undertaken by Augustine of Hippo (354-430) on the liberal arts. At the time, the author conceives the musical discipline as scientia bene modulandi, kind of knowledge that has as its goal the understanding of the transcendent signs that underlies and governs the corporeal world. Taken in its proper and worthy sense – as a science that rises beyond the sensitive sphere –, the art of music is dedicated to the revelation of the incorporeal nature that sustains the modus and, at the end, leads to contemplation of its transcendent source. It is an anagogical path, by which the soul, turned to its noblest activity, deciphers, through reason, the divine order inscribed in proportion and measure of the material world.

Eirini ARTEMI

“War” and “peace” are subject to theological, philosophical, moral, and political construction. In Christian theology, “war” and “peace” have to do with the relations of people with God, with themselves and with the other people in every place of this earth. The transcendence of the war and peace has literal and spiritual meaning. In the Christian view of peace, it is necessary to relate to justice and includes the dimensions of inner peace or a spiritual peace. This understanding is different from a more secular outlook means peace at the level of exterior dimensions –outer dimension–. As far as the word “war” can mean spiritual struggling with our passions or with the demons and with the other people in our daily life. The teachings on peace and on war, deriving from the sacred texts of Christianity, effectively guide adherents to attain inner peace, to extend it outwardly and to try to get rid of the passions which are cause of war. The latter relates to our passions and sins.

Antonio Celso RIBEIRO

Original title: Transcendence and Immanence – two aspects of music in the monastic life of Hildegard von Bingen (1098-1179)

The present work intends to analyze the role of the music in the everyday life inside the women monasteries in the Middle Ages. Exploring the dichotomies between some aspects of music in medieval thinking like it being corruptive or regenerative and belonging to the realm of musica mundane, musica humana, musica instrumentalis, or musica celestis, as stated by Boethius and complemented by Jacobus Leodiensis, the paper intends to take a glimpse on music usage at the monasteries focusing specially on Hildegard von Bingen’s Works and Philosophy.

Noeli Dutra ROSSATTO

Original title: Utopia do Reino do Espírito

Three utopian perspectives of the kingdom merge in Luso-Brazilian culture. The Abbot Joachim of Fiore (1135-1205) proposes a Trinitarian division of history into three states (status) of the world, and the Kingdom of the Spirit blooms in third. Derive of the contribution prophetic work of the Jesuit Antonio Vieira (1608-1692) the second perspective that divides history into three kingdoms of Christ, in which the last stage fulfils as a Consummated Kingdom of Christ or Fifth Empire, without the prediction of a Kingdom of the Spirit. Finally, Agostinho da Silva (1906-1994) takes up the Trinitarian division of history and projects a Kingdom of the Spirit as a recreation of the Fifth-imperialism, Messianic and Joachimite utopias, celebrated in the festivities of the Empire of the Divine Holy Spirit.

Luís Carlos Silva de SOUSA

Original title: A noção de Excessus em Santo Tomás de Aquino (1224-1274)

The aim of this paper is to analyse the notion of excessus in St. Thomas Aquinas (Sth. Iª, q. 84, a. 7 ad 3). We will highlight the influence of the negative way of Pseudo-Dionysius the Areopagite on human intellectual knowledge about God. The term excessus indicates the way of eminence (via eminentiae, per excessum) of our knowledge of the fullness of God’s perfections, that is, of his transcendence.

Leandro BERTONCELLO

Original title: O Uno além do Ser: a ab-rogação da alteridade em Meister Eckhart

This article examines the concept of the abrogation of otherness in Meister Eckhart, with emphasis on his doctrine of the union between the human soul and the One, a reality that transcends being. Through the analysis of texts and sermons by the Rhenish mystic, it explores how the soul can overcome all distinctions and attain unity with God through the negation of negation (negatio negationis). The study discusses the transcendence of the One beyond being, the role of the ground of the soul (Grunde der Seele) as the locus of this union, and the dialectic between detachment and love for others. It concludes that abrogation does not imply contempt for the world but rather a new way of experiencing the divine in all creatures.

Marica COSTIGLIOLO

In this aim, I analyse some theories of De docta ignorantia (1440) of Nicholas of Cusa, criticized by Johannes Wenck. Some interesting themes emerge from the dispute between Cusanus and Wenck: for example, on the threshold of modernity the way thinkers use concepts and words to define transcendence, time, difference. Through this dispute, the end of the Middle Ages appears as a rich intellectual period and a harbinger of continuous insights and new interpretations.

Samuel DIMAS

Original title: Globalização: a dialética entre a experiência local e a inclinação universal do conhecimento filosófico na vivência histórica intercultural

In this study we intend to present the methodology of global thinking that rejects the traditional strategy of “globalization”, which aims to universally impose a single economic-social model and proposes the promotion of intercultural relations and the valorization of national and linguistic identities. In this sense, globalization does not mean a homogenization of thought, but the recognition of the importance of philosophical, literary and artistic diversity for the civilizational development and progress in the humanization of peoples. The ideological imposition of currents of thought and research methods, disseminated through Basic English, must be replaced by a critical interpretation that addresses the existential dynamics of being-in-the-world and being-in-place and values models of intercommunication cultural in the dialectic between the particularity of situated thought and its inclination towards universality.

André BUENO; José Maria Gomes de Souza NETO

Original title: O dilúvio e sua universalidade, uma abordagem transcultural

A transcultural analysis of mythography’s about universal floods in ancient civilizations reveals important narrative splits, which make explicit the problem of trying to unify them. In our text, we will seek to present and discuss some issues related to flood/deluge myths in civilizations from the Levant, passing through India and reaching China, an important counterpoint to Western narratives. This comparison allows us to understand the different epistemes from which these myths have been worked and disseminated, and the challenges for a heterotopic claim of narrative fusion.

Jesús Fernando CÁSEDA TERESA

Original title: Nuevos datos biográficos de Suero de Ribera: clérigo castellano, servidor de la iglesia en Italia y autor de poemas de cancionero en los siglos XV y XVI

This research on the 15th and 16th century songbook writer Suero de Ribera, to whom up to twenty-five compositions are attributed, provides previously unknown documentation on his biography after locating him in various historical archives, documentation that probably refers to your person. From these, I establish his relationship with important figures in the social life of Rome and Naples, such as the Count of Oliva and the Cardinal of Capua, the Valencian Joan Llopis. And I venture his family background, Valladolid, the Castilian city of which he speaks in some of his poems.

Antonio CORTIJO OCAÑA

Antonio CORTIJO OCAÑA