Published in The Kingdom of the Spirit

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06._art._antonio_celso.pdf

The present work intends to analyze the role of the music in the everyday life inside the women monasteries in the Middle Ages. Exploring the dichotomies between some aspects of music in medieval thinking like it being corruptive or regenerative and belonging to the realm of musica mundane, musica humana, musica instrumentalis, or musica celestis, as stated by Boethius and complemented by Jacobus Leodiensis, the paper intends to take a glimpse on music usage at the monasteries focusing specially on Hildegard von Bingen’s Works and Philosophy.