A Ver Navios: sea, love, solitude, diaspora and nostalgia in Sephardic songbook (15th century)
Antonio Celso RIBEIRO
Original title: A Ver Navios: mar, amor, solidão, diáspora e nostalgia no cancioneiro sefardita (século XV)
Published in Intercultural Mediterranean
Keywords: Love, Music, Nostalgia, Sea, Sephardic songbook, Solitude.
Language:
The aim of the present work is to analyse the intertextual relationships present in the Sephardic songbook, based on the symbolism of the sea and its implications in Sephardic culture, focusing on the theme of love, loneliness and nostalgia in the diaspora. To this end, some songs that fit into these sections will be analyzed, discussing how they reflected the Jewish soul and the pain of exile.
Commentary of João da Cruz about the verse “With thirst in inflammables loves” in the second book of Dark Night
Marcelo Martins BARREIRA
Original title: Comentário de João da Cruz ao verso com ânsias em amores inflamados no segundo livro da Noite Escura
Published in Mystic and Millenarianism in Middle Ages
Keywords: João da Cruz, Love, Medieval Philosophy, Mystic, soul.
The article is about the will in mystical contemplation. From the chapters 11-13 of the John of the Cross’s work entitled The Dark Night. There is in this book a original reading of John of the Cross on the relationship between will and intellect, especially with the "inflammation of love" in the soul.
Dialectic of Love: about the Far-near
Ernesto MANUEL ROMÁN
Original title: Dialéctica del amor: sobre lo Lejos-cerca
Published in The Medieval Aesthetics
Keywords: Far-near, Hadewijch of Antwerp, Love, Margarita Porete, Mystical literature, Troubadour poetry.
In this text we seek to explore The Mirror of simple souls that are annihilated and that only dwell in wanting and wanting love focusing on the problem of the Far-near. This concept, and its particular way of rationing with the image and the word, will allow us to draw relationships between Marguerite Porete and other writers of the period. We will also seek to explore the philosophical questions that arise from Marguerite's book and her conception of love. We will begin by seeing how, for Plato, love occupied the place of the demonic, that is, of the threshold between mortals and immortals. Then we will stop to analyse the love of far from the troubadour poetry, where the relation of distance-closeness of love that will characterize the Far-near is forged. Finally we will dwell on the use of this logic made by Hadewijch of Antwerp and Marguerite to think about their annihilation. The latter is also an abandonment of the virtues and an overcoming of the Reason in Love.
Nicholas of Cusa: Look and Mystic
Maria Simone Marinho NOGUEIRA
Original title: Nicolau de Cusa: Olhar e Mística
Published in Mystic and Millenarianism in Middle Ages
Keywords: Experience, Look, Love, Mystic, Reflection.
Assuming that De visione dei is a mystical text and that the mystic, both in its generic and ultimate interpretations, is an experience of the divine, we think it is possible to show that, at the mentioned publication, Nicholas of Cusa (1401-1464) presents a mystical experience, understood as the reflection about the subject. Therefore, the sensible experience proposed by him, and explained in the Preface of De visione dei, unites the simplicity of a visual experience with the highest and most profound speculation that human beings can do: reflect in a manner that you can experience your relationship with the divine.
On beauty and love in the transition from paganism to Christianity
Humberto Schubert COELHO
Original title: Sobre a beleza e o amor na transição do paganismo ao Cristianismo
Published in The Medieval Aesthetics
Keywords: Augustine, Beauty, Love, Plato, Plotinus.
While Plato is considered an absolute grounding for aesthetics, invaluable contributions to the concept of beauty were offered by the Christian thought. Although the underestimation of such contribution as a mere reflex of Platonism is not sustainable, it is undeniable that substantial part of platonic ideas on beauty and the role of love in the connection between consciousness and the supreme transcendent metaphysics of the source of being, which is identified with the beauty, exerts the most powerful influence on the Christian conception. The aesthetics in Antiquity, thus, consists in a dialogue between the beautiful Greek form and the Christian sentiment on the light of platonic idealism. Therefore, in order to understand the introspection and sublimation of Christian aesthetics the study of the delicate transition between cultural, religious and philosophical realms, and how this transition intensifies the emphasis on the role of love in the aesthetical economy, is mandatory.
The Beauty and Love in Ibn Sīnā (980-1037)
Ricardo da COSTA, Evandro Santana PEREIRA
Original title: O Belo e o Amor em Ibn Sīnā (980-1037)
Published in
Keywords: Aesthetics, Beauty., Ibn Sīnā, Love.
This paper analyses the subjects of Love and Beauty in the Risalah fi’l- ‘ishq (A Treatise on Love) of the philosopher Ibn Sīnā (980-1037).
The Love as the greatest virtue in the Sermons of Nicholas of Cusa
Maria Simone Marinho NOGUEIRA
Original title: O Amor como a maior das virtudes nos Sermões de Nicolau de Cusa
Published in Nicholas of Cusa in Dialogue
Keywords: Love, Nicholas of Cusa, Sermons, Virtue.
Nicholas of Cusa approached the theme of love throughout his philosophical-theological work. A part of this work, however, deserves our special attention when we analyze this theme. We refer to the Sermons: in various moments of his life the German Thinker has prepared and preached these writings. We propose, from them, a reflection on the love as the greatest of virtues.
The status of women and men in the marriage by John Chrysostom (c. 349-407)
Eirini ARTEMI
Published in Medieval and Early Modern Iberian Peninsula Cultural History
Keywords: Family, Love, Marriage, Mutual respect, Spouses.
Saint John Chrysostom refers to the obligations of spouses in a marriage. He addresses mainly his advice in men, because the male selfishness hardly is tamed and he sometimes behaves with cruelty. Chrysostom condemns the practice of physical violence and abuse of women by men. On the contrary he requires the sacrificial spirit from man, great forgiveness and not threats and intimidation. With grace and meekness, the deep peace of the family will be ensured and the discontent will be removed and also the devotion of one spouse to the other will increase. Chrysostom says: “There is nothing, nothing more precious than to anyone be loved so much from his wife or from her husband”. St. John Chrysostom refers to a cohesive element, the foundation of conjugation, communication between spouses. It is the daily interaction of both spouses. The most important element of communication is discussion. The debate should be about intimacy, mutual respect in an atmosphere of freedom, equality and love. Then you may find the solution in case of disagreement or conflict. St. John Chrysostom thinks that the husband and the wife must try together to have a happy marriage.
