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Article
  1. The Christian marvelous in the Mexico-Tenochtitlan conquest (1519-1521)

    Guilherme Queiroz de Souza

    Original title: O maravilhoso cristão na conquista de México-Tenochtitlán (1519-1521)

    Published in The chivalry and the art of war in the Ancient and Medieval World

    Keywords: Conquest of México-Tenochtitlán, Marvelous Christian, Spaniards.

  2. The war as a metaphor in the religious art in Middle Ages

    María Laura Montemurro

    Original title: La guerra como metáfora en el arte religioso de la Edad Media

    Published in The chivalry and the art of war in the Ancient and Medieval World

    Keywords: Christianity, Medieval Art, Military Iconography.

  3. The expansion at the sea in Portuguese's chronicles (XV-XVI centuries)

    Luciana Fontes Parzewski

    Original title: A expansão marítima na cronística portuguesa (sécs. XV-XVI): Gomes Eanes de Zurara, Fernão Lopes de Castanheda e João de Barros

    Published in The chivalry and the art of war in the Ancient and Medieval World

    Keywords: East and Expansion, Portuguese chronicles.

  4. A Knight Deployed in the Border in the Service of King Peter IV of Aragon: Pedro Jiménez de Samper (1347-1364)

    Mario Lafuente Gómez

    Original title: Pedro Jiménez de Samper, un caballero de frontera al servicio de Pedro IV de Aragón (1347-1364)

    Published in The chivalry and the art of war in the Ancient and Medieval World

    Keywords: 14th century, Kingdom of Aragon, Peter IV of Aragon, War.

  5. The noble and the poor cavalry: two lulian's perspectives

    Tatyana Nunes Lemos

    Original title: O nobre e o "pobre" cavaleiro: duas perspectivas lulianas

    Published in The chivalry and the art of war in the Ancient and Medieval World

    Keywords: Ramon Llull, Virtues and Vices.

  6. The Vece of Novgorod after the revolution of 1136

    Aldo C. Marturano

    Original title: La Vece novgorodese dopo la "rivoluzione" del 1136 d. C.

    Published in The chivalry and the art of war in the Ancient and Medieval World

    Keywords: Boyars, Lord Novgorod the Great, Posadnik.

  7. Bella Civilia: the civil wars in the Merovingian Gaul by Gregogy of Tours vision

    Edmar Checon de Freitas

    Original title: Bella Civilia: as guerras civis na Gália Merovíngia na visão de Gregório de Tours

    Published in The chivalry and the art of war in the Ancient and Medieval World

    Keywords: Civil Wars, Gregory of Tours, Merovingian Gaul.

  8. Preface: Again the war. Always the war

    Ricardo da Costa

    Original title: Prefácio: Novamente a guerra. Sempre a guerra

    Published in The chivalry and the art of war in the Ancient and Medieval World

  9. Preface: The expansion of our imagination through the classical and medieval philosophical traditions

    Ricardo da Costa

    Original title: Prefácio: A ampliação de nossa imaginação através das tradições filosóficas clássica e medieval

    Published in The Philosophical Tradition in the Ancient and Medieval World

  10. The Virgin of the Annunciation: A Paradigm of Humility in Medieval Doctrine and Imagery

    José María SALVADOR GONZÁLEZ

    Original title: La Virgen de la Anunciación, un paradigma de humildad en la doctrina y la imagen de la Edad Media

    Published in Emotions in the Ancient and Medieval Mediterranean World

    Keywords: Annunciation, Humility, Iconography, Medieval Art, Patrology.

    In recounting the event of the Annunciation, the Gospel of Luke describes the sublime lesson of humility given by the Virgin Mary by proclaiming herself the Lord’s slave while she received the announcement of her election as Mother of God. Such a moral stance soon became an outstanding example of modesty and obedience for all Christians, as it was showed by many Church Fathers, theologians and religious thinkers throughout the centuries. Our paper aims to highlight that this significant lesson of humility and submission by the Virgin, reported by the Gospel and frequently interpreted in patristics and theological sources, often reflected also in art works, as we try to put evident through the analysis of twelve medieval paintings.

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