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Aristocracy and Nobility in Dante Alighieri

Moisés Romanazzi TÔRRES

Original title: Aristocracia e Nobreza em Dante Alighieri

Published in Aristocracy and nobility in the Ancient and Medieval World

Keywords: Aristocracy, Dante Alighieri, Nobility.

One of the essential elements of the whole Political Philosophy of Dante Alighieri was your considerations about the aristocracy and the nobility. For him, the two notions are different although in a certain way they correspond to the same matters. This aristocracy, however, it will only reach the divine talent that is the true nobility if it be educated according to the parameters of the Aristotelian philosophy. It is this, in fact, the ethical theme of the Convivio. In Commedia, Dante persists in these ideas. It is exactly for this reason that he reserves the Limbo the great wise persons of the Antiquity. In the one of Monarchia, he treats of the relationships between the supreme nobleman, the emperor, and the princes, the private noblemen that lead the human crowds.

Dante (c. 1265-1321) and the Musical Aesthetics of the Divine Comedy

Gustavo Cambraia FRANCO

Original title: Dante (c. 1265-1321) e a Estética Musical da Divina Comédia

Published in The Medieval Aesthetics

Keywords: Dante Alighieri, Divine Comedy, Medieval Aesthetics, Music, Poliphony.

The present article aims to analyze the figurative-musical aesthetics elaborated by the poet Dante Alighieri in the Divine Comedy, through the use of musical concepts, contemporary to the author, of monodia gregoriana and choral polyphony. The aim is to demonstrate how Dantian musical theory is applied in the Commedia using an imagetic and instrumental musical repertoire and a specific set of lexical and poetic expressions, whose function is to express, in a comprehensible way to the reader and interpreter, the sonorous dissonance, disharmony and the antimusical cacophony of Hell, the nature of the sacred, monodic Gregorian chant of Purgatory, and the symphonic and polyphonic musical nature of Paradise.

The Sense and the Reason of Being of Dante Alighieri’s Paradise

Moisés Romanazzi TÔRRES

Original title: O Sentido e a Razão de Ser do Paraíso de Dante Alighieri

Published in Paradise, Purgatory and Hell: the Religiosity in the Middle Ages

Keywords: Christian Reform, Dante Alighieri, Paradise, Process of the Mystic Union., Theological Blessedness and Human Deification.

Dante, along Commedia, establishes the great process of his Mystical Union. Once freed from sin, our poet can re-enter into possession of his free will and win the Earthly Paradise (the philosophical blessedness). His “long walk” through Hell and Purgatory thus marks the first phase of his union with God and gives the first of two sanctities, the sanctity of nature (the philosophical blessedness). Paradiso of Dante develops exactly the other two stages. In its ascent through the various heavens, Dante gradually breaks away from all connection with the earth, until, enlightened by truth, can gain access to Celestial Paradise (the theological blessedness). This was the second step, which gave him a new sanctity, the sanctity of grace. But it was only a wonder that Dante double blessed can complete the process of Mystical Union. Just then he felt his free will finally merge with the divine will, and has to obey only love that this is the soul of the world and that moves the sun and other stars. Only then Dante can to realize the highest human and Christian perfection, the deification of man. Then he became worthy and capable of performing his providential mission: to cooperate on earth the triumph of truth and Christian order, and finally , join the action of the godsend that one day will complete the reform of the Church and the world.

The simbolical representations of the Devil in Ramon Llull and Dante Alighieri (13th & 14th centuries)

Klítia Loureiro and Ziza Scaramussa

Original title: O Diabo e suas representações simbólicas em Ramon Llull e Dante Alighieri (séculos XIII e XIV)

Published in Expressing the Divine: Language, Art and Mysticism

Keywords: Dante Alighieri, Devil, Hell, Midle Ages, Ramon Llull.

This article intents to recover the fundamentals elements of the conception of Devil and Hell in the medieval culture, particulary in the 13th and 14th century. We have analized the vision of the Devil and Hell discrived by Ramon Llull (1232-1316) in no Livro das Maravilhas (1288-1289), Doutrina para Crianças (1274-1276) and Livro dos Anjos (1274?-1283?), briefly comparing his conception with Dante Alighieri and his Divina Comédia (1307-1321).

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