Waldir BARRETO
When everything would appear to man as it is – infinite, from Kant to Viola (1781-1983)
Quando tudo pareceria ao homem tal como é – infinito, de Kant a Viola (1781-1983)
Published in The World of Tradition
PDF download:
16._art._waldir_barreto.pdf
This essay proposes a theoretical consideration about the possibility of a transcendental analysis of the aesthetic experience with art according to Kantian criticism and the temporal dimension of Bill Viola’s work, taken from the Bergsonian concept of duration.
