Antonio CORTIJO; Vicent MARTINES

Original title: Amors, enveja i desamors, personals i de conquesta

Armando Alexandre dos SANTOS

Original title: A psicologia dos invejosos: um episódio de Curial e Guelfa

Analysis of an episode of the novel Curial and Guelfa, in which the psychology and the way of acting of the envious are especially focused.

Anton Maria ESPADALER

Original title: Cuatro pinceladas para Flamenca (siglo XIII)

El artículo toma en consideración cuatro pasos del Roman de Flamenca y propone su relación con otros textos, franceses y latinos.

Eva LAPIEDRA

Original title: La escalada a las murallas como método de conquista entre la historia y la leyenda. De Damasco a Alhama de Granada

This article brings together and compares different historical literary texts belonging to the chronicle traditions of both Arabic and Islamic writers and to Latin and Christian chroniclers on the Iberian Peninsula. All of them narrate the surprise conquest of a city using the method of storming and climbing its walls. The continuance of that literary topos through time and space appears to indicate that it was carried from the Arab world to the Latin peninsular Romance across the border between the Almohad empire and the emerging Portuguese empire in the 13th Century. That’s why it appears in Portuguese and Castilian Chronicles, but not in those from Catalonia.

Joan de Déu MARTINES LLINARES

Original title: Les novetats semàntiques en el DOLEV-Natura

This article shows the semantic neologisms hitherto not compiled in reference dictionaries (DIEC2, DDLC, DNV and DCVB) which have been found in the dictionary of the nature of the literary work by Enric Valor (DOLEV-Nature). This has been achieved with the help of the tools of the Corpus Informatitzat Multilingüe de Textos Antics i Contemporanis (CIMTAC) by ISIC-IVITRA. These tools allowed us to compile the corpus of the literary work by Enric Valor (COLEV).

Anna Maria COMPAGNA

Original title: De la sagesse des troubadours al alegorismo cortés de Ramon Llull

If certain comparisons between works rarely go beyond superficial analogies, the concept of a figure allows us to frame in a new light the affinity of some of Llull’s works with troubadour poetry, where the lady as a metaphor for Wisdom and as a folkloric epiphany presages what which will be the courteous allegorism of Ramon Llull. The importance that Llull gives to the metaphor finds part of his matrix in the love story of the troubadours.