Article
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To be here and now. Study of the time and the space in the Viatge al Purgatori nomenat de Sant Patrici written by Ramon de Perellós i de Roda (c. 1350-1424)
Héctor ALAMINOS RAMIRO
Original title: Ser aquí y ahora. Estudio del tiempo y del espacio en el Viatge al Purgatori nomenat de Sant Patrici de Ramon de Perellós i de Roda (c. 1350-1424)
Published in Returning to Eden
This paper analyzes the temporal and spatial dimensions of the work of Ramon de Perellós referred to his journey to Saint Patrick’s Purgatory. Firstly, real, and imaginary-marvellous spheres are studied by separated to detach its meanings. Afterwards its contents are synthesized to obtain a panoramic view. Finally, these ideas are extrapolated to its historical context. By doing so, some conclusions are developed with the aim of connecting this work with the general transformations that take place in the Christian society of the medieval Western Europe.
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The play of divine beauty: Bronzino’s decoration of the Chapel of Eleonora in the Palazzo Vecchio (1541-1543)
Thainan Noronha de ANDRADE
Published in Games from Antiquity to Baroque
Starting in 1540, Cosimo I de' Medici (1519-1574) commissioned a series of structural and decorative reforms in the old seat of the Republic of Florence, the Palazzo della Signoria, transforming it into the official residence of his principato. One of the first artistic commissions ordered by the duke was the chapel dedicated to his wife, Eleonora de Toledo (1522-1562), decorated in fresco by Agnolo Bronzino (1503-1572) between 1541 and 1543. This chapel stands out as one of the earliest and most significant examples of the Florentine aesthetic language from the mid-16th century. Resulted from a series of artistic and theoretical developments that took place in the first half of the century, it is characterized by highly symbolic expressiveness whose content manifests in a polysemic manner, simultaneously incorporating various levels of meaning, including political, religious, and philosophical elements. In this sense, the present study analyzes the respective pictorial cycle considering the Neoplatonic aesthetic speculations circulating within Italian and Florentine culture, influencing contemporary conceptions of the nature of artistic beauty and its appreciation, linking this process to a broader attitude that characterized Medici patronage.
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At the Dawn of Modernity. Music and Painting in the time of Afonso V (1396-1458), the Magnanimous
Ricardo da COSTA; Alexandre Emerick NEVES; Antonio Celso RIBEIRO
Original title: Na Alvorada da Modernidade. Música e Pintura no tempo de Afonso V (1396-1458), o Magnânimo
Published in Games from Antiquity to Baroque
Estudo da música renascentista e da pintura hispano-flamenga da corte napolitana da Coroa de Aragão durante o reinado de Afonso V, o Magnânimo (1396-1458) à época do Poemário (Dictats) de Ausiàs March (c.1397-1459).
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Rhythms, expressions, and representations of the body. From the Ancient World to the Baroque
Ricardo da COSTA
Original title: Ritmos, expresiones y representaciones del cuerpo
Published in Rhythms, expressions and representations of the body
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The face as the place of the subject that existed: artistic figurations from Antiquity to Baroque
Alexandre Emerick NEVES
Original title: O rosto como lugar do sujeito que houve: figurações artísticas da Antiguidade ao Barroco
Published in Rhythms, expressions and representations of the body
Generally, when we refer to human representation, we immediately remember the human body, the human figure, and when we deal with the subject, the first reference is his face or, more specifically, his portrait. It is interesting to remember, in this regard, that the face itself can be fragmented, divided into significant, if not autonomous, parts. Without intending to go through an exhaustive and linear history of the face, consenting to jumps and returns between Antiquity and the Baroque with some providential escapes, I turn to Giorgio Agamben regarding the asymmetrical relationship between the head and the body, while Georges Didi-Huberman and Jacques Rancière help us on the affinity of the images of figured bodies with the presence or absence of the subject, especially in the face.
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The role of the Philosophy and Jesuit imagery in the Portuguese missions (1500-1597)
Humberto Schubert COELHO
Original title: O papel da Filosofia e do imaginário jesuítico nas missões portuguesas (1500-1597)
Published in The World of Tradition
As the importance of the Society of Jesus in the Portuguese colonizing process is indisputable, the specificities of Jesuit cultural imagery were equally decisive to define several elements in the cultural formation of the colonies. Often centred on literature at many points of its historical development, Portuguese thought of the time was heavily determined by philosophy. Particularly in the sixteenth century, the first century of global colonization, the evangelizing impetus of the Society of Jesus acted as a main existential drive in both cultural and political process of sending missionaries abroad. This paper emphasizes the capital relevance of transcendent beliefs and values in the worldview of such missionaries, and how they shaped the missionary ethos in the daily life, the educational initiatives and the first reports of Jesuit authors.
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Life and death of the enjoyment of Beauty in the breasts of the Renaissance (c.1300-1600)
Alexandre Emerick NEVES
Original title: Vida e morte do gozo da Beleza nos seios da Renascença (c.1300-1600)
Published in The World of Tradition
By considering the breast as a significant fragment of the beauty of the female body, recurrently figured in the arts, I analyse how the convergence between the aesthetic and moral dimensions is associated with the intentions of the gazes and the impetus of the hands, from the approach of bodies to the possession of the breast. The sum of biblical lessons with Greco-Roman thought demonstrates how pudency promotes the enjoyment of beauty, culminating in significant artistic representations, from Late Gothic to Baroque, as a consolidation of the values of Western Christianity.
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Thanatology of the Corpus Hermeticum (c. 100-300): the philosophical concept of Death in the Hermetic Tractates
David Pessoa de LIRA
Original title: A Tanatologia do Corpus Hermeticum (c. 100-300): o conceito filosófico da Morte nos Tratados Herméticos
Published in The World of Tradition
This article attempts to examine the idea of death, its problem, in the scope of hermeticism in Antiquity, having mainly as object of analysis the Corpus Hermeticum. In particular, the problem of death, in the Corpus Hermeticum, is treated from the ontological point of view. A history of ideas about death in the Corpus Hermeticum supposes an analysis of the underlying conception of the world by the Hermetic authors, and not just of their philosophy. Although this study is linked to an examination of ideas about the meaning of life and the conception of immortality, which are problems related to the theme of death, here it does not imply an analysis of these problems, but a conclusive indication that some Hermetic Tractates show the dilemma of death between dissolution and change from the reflection of the Stoic Marcus Aurelius Antoninus.
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The process of islamization in Western Africa under the rulership of the Empire of Mālī
Ahmed-Salem Ould Mohamed BABA; Vicente CASTRO MARTÍNEZ
Original title: El proceso de islamización de África occidental bajo el Imperio de Mālī
Published in Mirabilia Journal 34
In this article, it is analyzed the role that had the best-known sub-Saharan empire, Mālī, in the acceleration of the process of islamization which took place in the southern part of the Sahara Desert between the XIIIth and XVIth centuries. However, it proves to be useful for the mentioning of the fact that the adoption of the Muslim religion by the Western Africa peoples do not cause the abandonment of their traditional beliefs, but a syncretism between them, despite the intentions of their rulers. On the other hand, apart from religious aspects, it will be very important the investigation of the commercial exchanges as one of the essential elements in the development of the penetration of Islamic values along this region of the African continent, in conjunction with the importance of the art as an indicator of this process advancement. To do that, it will be paid close attention to the development of the peculiar Sudanese art that was implemented in the main cities of the empire, around which is related this investigation, Timbuktu.
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The Λόγος Τέλειος in Lactantius’ De Vita Beata: Philological Analysis of the Hermetic Fragmentum of the Divinæ Institutiones 7.18.4-5
David Pessoa de LIRA
Original title: O Λόγος Τέλειος em De Vita Beata de Lactâncio: análise filológica do Fragmentum Hermético das Divinæ Institutiones 7. 18. 4-5
Published in Mirabilia Journal 34
This article analyzes the fragmentum of the Λόγος Τέλειος in Lactantius's De Vita Beata, Divinæ Institutiones 7. 18. 4-5. Of particular interest here is the idea and argument of the Hermetic fragmentum Λόγος Τέλειος in contrast to the idea in its context in De Vita Beata. Although there has been significant research on the small apocalypse or prediction of Asclepius Latinus 26a, this article focuses on understanding the aspects that characterize the Λόγος Τέλειος without dwelling beforehand on the idea of prediction and the future, nor on the subsequent interpretations developed for future events in the Latin translation of the Asclepius Latinus. The Coptic ⲗⲟⲅⲟⲥ ⲧⲉⲗⲉⲓⲟⲥ [Logos Teleios] (Nag Hammadi VI.8 (73,23-36)) corroborates various aspects of Λόγος Τέλειος. The first text helps to understand the second one reciprocally. Therefore, the comparative method is used here to demonstrate the similarities and differences between the Greek Λόγος Τέλειος, the Coptic ⲗⲟⲅⲟⲥ ⲧⲉⲗⲉⲓⲟⲥ, the Asclepius Latinus 26a and the intervention in these texts in sources of fragmentum transmission. The comparative analysis shows some relevant results in the relationship between the Λόγος Τέλειος en De Vita Beata de Lactantius. As result, one could perceive that the Λόγος Τέλειος is a text that deals with periodic cataclysm and timelessness and its demonstradum is different from Lactantius’ conception.
