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Father José Maurício Nunes’ Sinfonia Fúnebre (1790): an analysis employing Robert Gjerdingen’s Musical Schemata
Ernesto HARTMANN
Original title: A Sinfonia Fúnebre (1790) do Padre José Maurício Nunes Garcia (1767-1830): análise com o conceito de Schema Musical de Robert Gjerdingen
Published in Music in Middle Ages and Early Modernity
Keywords: Father José Maurício Nunes Garcia, Galant Style, Schemata, Sinfonia Fúnebre (1790).
In this work I investigate the use in Father José Maurício Nunes Garcia’s Sinfonia Fúnebre (1790) of what the American musicologist Robert Gjerdongen calls Schemata. According to Gjerdingen, Schemata are abstract structures that were part of the Galant Style, either in Central Europe as in the Colonies, as Brazil is the case. In order to do so, I make a brief overview of the editions available for analysis; review of the Schemata concept in Gjerdingen and other authoritative authors; elaborate a table that articulates form, tonality, Schemata bar by bar; and last, exemplify the use of this Schemata in musical excerpts of the work. I conclude that the systematic and very sophisticated use of the Schemata by the Brazilian composer demonstrates that he is by no means just a mere imitator of the Galant Style, but instead, a great master of this idiom and capable to organize the Schemata at his will to fulfill his expressive needs as it is the case in this Sinfonia Funebre.
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The Music in Don Quijote by Miguel de Cervantes (1547-1616)
Antonia Javiera CABRERA MUÑOZ
Original title: La Música en el Don Quijote de Miguel de Cervantes (1547-1616)
Published in Music in Middle Ages and Early Modernity
Keywords: Don Quijote de la Mancha, Miguel de Cervantes, Music.
This article deals with Music in the great work Don Quixote de la Mancha (1605 and 1615), written by Miguel de Cervantes (1547-1615) during the Spanish Golden Age. In this relationship between the two Arts (Literature and Music) we emphasized the protagonist character of the work, Don Quixote de la Mancha, who, in both parts, gradually evolve his musical sense to see himself as a fully musical character in the second part: Music is present in various attitudes of his in several episodes, using the recitation and singing, instrumental, general knowledge and even dance to show their musical skills. Several authors have studied this relationship in detail, so that in this work we made a brief synthesis of some contents with the purpose of introducing the Brazilian reader to this relationship in Don Quixote, since in Brazil there is nothing published on the subject, as verified in the main research databases available to the general public and specialized. We begin with a brief synthesis of the life and work of Cervantes, highlighting his literary path to understand a little of his worldview as an intellectual; then we dedicate ourselves to his relationship with Music, the musical environment of his time and how the musical expression was introduced in his works; at once, we made a cut of Don Quixote musician, by highlighting some musical aspects that character shows. The analysis of Don Quixote showed that Music is as much pastoral as in the urban or contemporary to Cervantes. In reading the work, it was also verified that Music unfolds in three ways that correspond to its three outputs: in the first, the musical elements are scarce and simple and show, crudely, the contrast between what imagined by the knight and rural reality; in the second, the same happens as in the first, but little by little the gentleman is contemplating reality as it is and are the other characters who try to convince him that everything is a product of enchantments; in the third, Don Quixote assumes the role of musician in the manner of the knight-errant.
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The musician and humanist Damião de Góis (1502-1574)
Márcio Paes SELLES
Original title: O músico e humanista Damião de Góis (1502-1574)
Published in Music in Middle Ages and Early Modernity
Keywords: Court, Humanist, Music.
Damião de Góis, was born in Alenquer in a family of the Portuguese nobility, grew up in the court of D. Manuel I where he had access to musical learning. Later, a diplomat under King John III had contact with Franco-Flemish music, developed in the chapels of the court of Burgundy and lived with important humanists of his time as Erasmus and Bembo. His compositions as well as his musical taste in the French-Flemish style served as an argument in a complaint in the Holy Office that ended up leading to his death in 1574.
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Feasts, Theatre and Power
Lenora Pinto MENDES
Original title: Festa, Teatro e Poder
Published in Society and Culture in Portugal
Keywords: City, Feasts, Monarchy.
The Avis Dynasty took power in Portugal in the fourteenth century with the support of the population of the cities of Lisbon, Porto and Coimbra. From the beginning, it made use of the popular festivities as a form of support and legitimation. Throughout the entire dynasty, in the royal festivities the urban segments of the cities were present, reinforcing the vassal contract between the kings and the cities. In the reign of D. Manuel the theater will be part of this dynamic and will highlight Gil Vicente, first Portuguese playwright who acted in the courts of D. Manuel and D. João III, creating theatrical acts for the most important moments of the royal festivities such as births, coronations and funerals.
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Bernat Metge and Ramon Llull in front of the Saracens
Julia BUTIÑÁ JIMÉNEZ
Original title: Bernat Metge y Ramon Llull frente a los sarracenos
Published in Society and Culture in Portugal
Keywords: Bernat Metge, Humanisme, Middle Ages, Ramon Llull.
A passage from the book I of Bernat Metge’s Lo somni that had not been attended before, when hi is treating of the paradise of the Saracens, acquires a lucid sense with his reading in the shade of the Llibre del gentil e dels tres savis of Ramon Llull and under a humanistic interpretation. The systematic burlesque one of the barcelonian notary becomes clear across a source of traditional mentality: Ramon Martí. With it, Metge is anticipating the defense of the women, to which he will dedicate the books the III and IVth, as well as it signs his lulian adherence.
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Between Byzantium and Outremer: considerations on leprosy in the Latin Kingdom of Jerusalem
Esteban Augusto GREIF
Original title: Entre Bizancio y Outremer: consideraciones sobre la lepra en el Reino Latino de Jerusalén
Published in Society and Culture in Portugal
Keywords: Byzantium, Continuity, Latin Kingdom of Jerusalem, Leper.
In the last years, the comprehension and understanding of leprosy and the social place of the leper as a rejected and stigmatized subject from society during the Middle Ages, have change. In this way, had come to light a new interpretation that detached the integration of those who suffer this disease. Similarly, the view of the leprosarium as spaces of social segregation was revised. Besides, new investigations about the treatment of this disease in the world of the Eastern Mediterranean started to appear. However, the analysis of the circulation of knowledge and practices between the East and the West were not frequent. Thus, our proposal, it is located into this space and tries to comprehend which was the social treatment of leprosy and lepers from the byzantine world that impacted in the Latin Kingdom of Jerusalem.
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Rodrigo Diaz de Vivar, El Cid (1048-1099), very good knight and from great lineage
Olga PISNITCHENKO
Original title: Rodrigo Diaz de Vivar, El Cid (1048-1099), muy buen cauallero e de grande linaje
Published in Society and Culture in Portugal
Keywords: Castile, El Cid, Estoria de España, Leon, chivalry.
This article proposes to analyze the image of Rodrigo Diaz de Vivar constructed by Estoria de España of Alfonso X and as chronicles derived from it. Our research is concentrated not so much on the study of political and military abilities of El Cid, but mainly on the knightly model that is elaborated from its image by the chroniclers that represent a voice of the king in the analyzed historical works. According to the chronicles, Rodrigo acts as a vassal of the three kings (Fernando, Sancho and Alfonso) who succeed each other on the throne of Castile and Leon, constructing with each one of them peculiar relations that introduce to the reader or listener of history a wide spectrum of situations in which Rodrigo continues to remain within the line of behavior of an exemplary vassal.
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Ways of thinking and acting: erudite culture at court and reordering of assistance in the reign of king D. João II (1481-1495) and D. Leonor (1481-1525)
André Costa Aciole da SILVA
Original title: Maneiras de pensar e de agir: a cultura erudita na corte e o reordenamento da assistência no reinado de D. João II (1481-1495) e D. Leonor (1481-1525)
Published in Society and Culture in Portugal
Keywords: Assistance, Culture, Hospitals, Medicine, Portugal.
The theme of assisting those in need of material resources or spiritual support, and especially the sick, has been the focus of intense historiographical production. The following text points out an aspect that contributed to the reordering of assistance in Portugal at the end of the Middle Ages, focusing on the actions promoted by the monarchs of D. João II and his wife D. Leonor. Our objective is to show how the erudite culture in the court, as well as some external influences, helped to guide the creation of the royal hospitals in Lisbon (Hospital of All Saints) and Caldas da Rainha (Hospital Our Lady of Pópulo).
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The Portuguese Common Laws: case of Cima Coa, Guarda, Santarém, Évora and Beja. Challenges and methodologies
Alice TAVARES
Original title: Los fueros extensos portugueses: los casos de Cima Coa, Guarda, Santarém, Évora y Beja. Retos y metodologías
Published in Society and Culture in Portugal
Keywords: Common Law, Middle Ages, Portugal, XIII-XIV Century’s.
The aim of this study is to provide an analysis about the customary and laws of the Portuguese medieval town’s councils (13th and 14th Century’s). We select some cases: Cima Coa Coa (Alfaiates, Castelo Bom, Castelo Melhor e Castelo Rodrigo), Guarda, Santarém, Évora, Borba and Beja. In this article we will analyse this local source of common-laws with the aim of making a reflection about the origins, characteristics, processes of formation of the various corpora.
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Idea and image of royal power of the monarchies in Ancient and Medieval World
José María SALVADOR GONZÁLEZ
Published in Idea and image of royal power of the monarchies in Ancient and Medieval World
