Published in Pleasure in the Middle Ages

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Roland Barthes’s arguments in The Pleasure of the Text have brought a literary outlook to the concept of pleasure. For him, texts that do not have a closure (‘indecisive texts’) create pleasure both in the author and the reader due to polysemy resulting from writerly neurosis. Hence, the body of the text, like a physical body, becomes a site of pleasure. Chaucer’s the Parliament of Fowls presents such a site of bliss through the love debate among the birds where Chaucer depoliticises and satirises the medieval estate structure. Moreover, left open-ended, the text creates Barthesian bliss for both Chaucer and his readers. Thus, the aim of this paper is to elucidate and evaluate Chaucer’s the Parliament of Fowls as the source of textual pleasure.