Published in Intercultural Mediterranean

Language:

Portuguese, Brazil

PDF download:

10._art._barbaradantas.pdf

The Cantigas de Santa Maria, in addition to their most obvious characteristic, that of King Alfonso X's homage to the Virgin Mary, through hundreds of praises, accounts of miracles and their corresponding images – in particular, more than four hundred full-page historical illuminations – are for us, art historians, a summary of medieval life, not only in the kingdoms of León and Castile, ruled by the Wise King in the second half of the 13th century, but throughout Europe and its surroundings. An example of this is right at the beginning of the Alfonsine compendium, in the Praise 1, since its 2nd stanza, as well as vignette 2 of the illumination, tell of an important event that took place in Bethlehem: the birth of Jesus. Focusing on this stanza and vignette – but without losing sight of the main theme of the praise of the Virgin, her seven moments of extreme happiness, or “goyos” in Galician language –, this article correlates biblical texts with the themes addressed in the Praise 1 of the Cantigas; it also correlates religion and architecture, goodness and beauty, as well as holiness and perfection of forms. Let us then delve into the religious universe that underpins the creation of the Gothic portal and rose window, according to the vision of Alfonso X and his Cantigas de Santa Maria.