Published in Returning to Eden

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04._art._sosa_rubio.pdf

La Gloria, also called Il Paradiso by Tiziano Vecellio, its author, is perhaps the greatest pictorial creation that the Venetian created during his last years of service to Emperor Charles V. Although it has been defined as a work where the coexistence of the theological, eschatological and dynastic factors reaches the character of a paradigm, and even though its greatness goes beyond the format, there are still numerous doubts that hang around it, fundamentally related to the motif represented, the identity of quite a few characters and the reasons that led to their commission. This research compiles and expands some of the assessments made throughout the history of the canvas, trying to shed a light on doubtful aspects and, along with the religious and private motivations as the driving force of its commission, also allude to those of ideological roots, given the context of religious wars and turbulence of faith in which Titian executed his creation.