Published in The Medieval Aesthetics

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The present communication consists of highlighting certain features of the parrhesiastic dimension present in Socrates so that, from this theoretical presupposition, we can develop an arc of reading with the confession in Saint Augustine. The purpose is to build a line of continuity with what we can consider an act of veridiction in the Foucauldian sense. We are motivated by the interest in marking a line between a parrhesiastic function and a confessional device and see what ethical-anthropological consequences are given from such acts. Above all, how both discursive practices, which obey specific rules of formation, are related to the so-called arts of existence linked to the etho-poietic dimension of making life a work of art; this is the path we want to travel to think the aesthetic question, associated with ethics and politics, as acts that occur within the framework of power relations that produce transformations on the real.