Published in Emotions in the Ancient and Medieval Mediterranean World

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This study most centrally explores the distinctly corporeal divinity that is revealed through mystical paradigms in two plays by female religious: Hildegard of Bingen’s (1098-1179) Ordo virtutum and a play convincingly attributed to Marcela de san Félix (1605-87), Breve festejo que se hizo para nuestra Madre priora y a alegrar la comunidad la noce de los reyes deste año 1653. It highlights and analyzes the fact that, in both plays, various triadic relationships point to the essential presence of the second person of the Trinity in the mystical Godhead. The central argument is that a particularly Christocentric mystical divinity has theological connotations which bear investigation against the general problematization of the corporeal element in the mystical relational and theological economy through the seventeenth century. The paper articulates why a particularly human mystical divinity might have been undervalued in the Christian practice of mysticism from Medieval times onward, and exegetes why the bias toward transcendence over immanence in mysticism might even be regarded as theologically incomplete in the light of (Catholic) Christian redemption theology. It ends by showing how the “already and not yet” is alluded to in both plays, and draws some relevant theological conclusions which stand in answer to the transcendent deity usually privileged in mysticism, hearkening to other works by both Bingen and san Félix to substantiate the theology which can arguably be attributed to them. Along the way, relevant aspects of different understandings of emotions–among them the concept of the humors, the Aristotelian understanding of the relationship between the (Christian) virtues and the emotional realm, and the central role of eros in the mystical practice and the theological implications of the same–will be raised, according to the theme of this particular volume.