Article (Mirabilia Ars)
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Ars longa, vita brevis: the History of Art in the long term
José María SALVADOR GONZÁLEZ, Matheus Corassa da SILVA
Original title: Ars longa, vita brevis: a História da Arte na longa duração
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Presentation: The Architecture in the Cantigas de Santa María
José María SALVADOR GONZÁLEZ; Matheus Corassa da SILVA
Original title: Apresentação: A Arquitetura nas Cantigas de Santa María
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The role of incarnation in the Republic: between political seduction and theophanic vision
Nicolas HUMPHRIS
Original title: La fonction d’incarnation dans la République : entre séduction politique et vision théophanique
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There is, in the state power of the contemporary French Republic, an archaic institution which continues incognito, the “function of incarnation”. This charismatic function is an institutional device developed at the dawn of our civilization (4th-10th centuries) to arouse, as part of an enterprise of seduction, the free adherence of subjects to public authority by borrowing the model of Christ mediator whose human presence and the flesh irresistibly and subliminally attract men to the invisible God. Today, those who exercise the function of incarnation in the Republic also secretly arouse the adhesion of men to the invisible and transcendent entity that is the State, in the manner of the “seducer” Christ. Whether we are believers or atheists, we all depend, for our attachment to the Republic, on this Christ-like power of seduction of the leader, and therefore, indirectly, of a certain Christ, mysteriously present in his earthly imitator. Are we the prisoners of the subliminal grip of this hidden God? To prevent the said political seduction from being a place of non-freedom, it is necessary to become aware of it, and, even more, to disocccult this Christ who appears here against all expectations, while he is both ignored by the State. and by the Church. It is important to rediscover the capacity for theophanic perception which was from the outset intimately associated with the function of incarnation, to lift the gaze in order to come to perceive the God hidden in the secularized nation state.
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The Kingdom of God in Church Fathers in the 4th century
Eirini ARTEMI
Original title: The Kingdom of God in Church Fathers in the 4th century
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Femininity in tension. Iconographic itineraries from Tellus to the woman on the beast of the Turin Beatus (12th century)
Nadia Mariana CONSIGLIERI
Original title: Lo femenino en tensión. Recorridos iconográficos de Tellus a la mujer sobre la bestia del Beato de Turín (siglo XII)
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The Annunciation as the locus of return of the figured logos
Alexandre Emerick NEVES
Original title: A Anunciação como o locus de retorno do logos figurado
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The approximation of philosophical thought with theological precepts has brought about the conciliation of the presuppositions of Greco-Roman culture with Christian mysticism, of the concepts erected by rationalism with what is supposed divinely revealed, which seems to intuit the dimension of this event so represented in medieval aesthetics and Renaissance, namely, the annunciation of the logos taken as the divine virtue in the way of being fully revealed and manifested in the pictorial locus. More than a religious motif, it is the proclamation of a thought based on Aristotelian metaphysics, modeled on Stoicism and refined by Augustine and Thomas Aquinas, manifested in medieval aesthetics, especially in the retable of Simone Martini. The mystery of the incarnation intuits the convergence of the suprasensible with the world of appearances. Anticipated by the figuration of the Word announced, it presupposes the ontological status of origin and the speculative treatment of time, movement and place, from a comparative exercise between the descriptive aspects of the biblical narrative and its return figured in artistic beauty.
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The art as a temporal landmark in the Cathedral of Barcelona: tradition and innovation
Lorena da Silva VARGAS
Original title: A arte como marco temporal na Catedral de Barcelona: tradição e inovação
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Among the corners of the gothic Cathedral (1298-1448) that prevails in the current landscape of Barcelona, there are artistic elements left by the time from the primitive paleochristian basilica, built in the 4th century A. D., passing through the visigoth church, by the romanesque and gothic cathedrals and entering the modernity until the recent history of the Cathedral of Barcelona. Here, we will seek to lift some of these temporal landmarks given by art over the centuries and which, preserved in the temple, tell the life of the Cathedral.
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Fashion in M.S.A. 1 of the General Chronicle of Spain of 1344. Contribution to the dating of the illuminura
Catarina Martins TIBÚRCIO
Original title: A moda no M.S.A. 1 da Crónica Geral de Espanha de 1344. Contributo para a datação da iluminura
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This article starts from a study about the fashion we could observe in the illumination of the manuscript of the Science Academy of Lisbon, known as M.S.A. 1 of the Crónica Geral de Espanha de 1344. We believe that this kind of reproduction reveals us the daily habits of kings, noble men and people, in what concern the dress fashion of a precise time of Portugal’s history, in this particular case, the fashion habits from the period this manuscript was made. We will use that information to contribute to a more accurate date for the illumination of this manuscript, which is now a controversial question. To give to our conclusions a bigger consistency, we will do a comparison between the fashion in the illumination of M.S.A. 1 and the fashion in the illumination of other international contemporary illuminated manuscripts.
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Register and fabulistic tradition: the case of Wolf, the fox and the ape
Claudio R. CUELLAR
Original title: Registro y tradición fabulística: el caso del lobo, la zorra y el simio
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The objective of this communication is to analyze the purpose that is granted to the legal use of slang and knowledge of the Roman law and Spanish in two sources that tell a judicial process by theft: on the one hand, the episode on the lawsuit that happened between the wolf, the fox and Don Ximio in the Libro de Buen Amor (321-371); and on the other hand, we will analyze the roman version in which indirectly inspired the Arcipreste de Hita, the fable “Lupus et vulpes judice simio” (Pha. Ae. X) written by Fedro. And given that it is studying the log to determine the reception of Roman law and Spanish in the mentioned authors, use -the only methodological effect – the grammar systemic-functional, in regard to placement and the field, tenor and mode.
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On the supposed line of development of the medieval portraiture. From the donor to individual portrait
José María SALVADOR GONZÁLEZ, Cristina DE LA CASA RODRÍGUEZ
Original title: Sobre la supuesta línea de desarrollo de la retratística medieval. Del donante al retrato individual
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This paper aims to assess the problems arisen when trying to talk about the development of medieval portraits. Usually, we tend to think that the donor is typical of the Early Middle Age, and then, progressively, the importance of the subject depicted increases, so that finally we can encounter the Italian, but mostly Flemish, portrait in which the values of modern society, such as the distance taken from the religious principles or the human being’s feeling of superiority, are reflected. Throughout our paper, this so-called perfect evolution will be tested, by doing an initial approach to the concepts of “donor” and “portrait”, so that we can realise that this kind of expressions used by art historiography are just characteristic of narrow-minded visions which cannot be used to reproduce the existing diversity of the Art. Finally, we will analyze the different ways of depicting people throughout the Middle Ages, giving particular emphasis on the line of thought and the philosophy dominant every concept and piece described, with the firm belief that ideas, instead of mere formalist analysis, give us the key points about the human being’s representations throughout history, and in a more precise way, the medieval period.
