Published in Tradition and innovation: artistic continuities and ruptures

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The approximation of philosophical thought with theological precepts has brought about the conciliation of the presuppositions of Greco-Roman culture with Christian mysticism, of the concepts erected by rationalism with what is supposed divinely revealed, which seems to intuit the dimension of this event so represented in medieval aesthetics and Renaissance, namely, the annunciation of the logos taken as the divine virtue in the way of being fully revealed and manifested in the pictorial locus. More than a religious motif, it is the proclamation of a thought based on Aristotelian metaphysics, modeled on Stoicism and refined by Augustine and Thomas Aquinas, manifested in medieval aesthetics, especially in the retable of Simone Martini. The mystery of the incarnation intuits the convergence of the suprasensible with the world of appearances. Anticipated by the figuration of the Word announced, it presupposes the ontological status of origin and the speculative treatment of time, movement and place, from a comparative exercise between the descriptive aspects of the biblical narrative and its return figured in artistic beauty.