Deciphering Lo somni and its literary techniques
Julia BUTIÑÁ
Original title: Descifrando Lo somni y sus técnicas literarias
Published in Mirabilia Journal 34
Keywords: Italian Trecento authors, Lo somni, Ramon Llull, Rhetoric, Troubadour Poetry.
The message that, in Lo somni, the spirit of the king secretly entrusts to the author –the great humanist Bernat Metge– commissioning him to spread it in the future, given its dangerous nature, is encrypted through literary sources. After following –especially those of Boccaccio– in the four books, by means of tables published in 2002, his links between the different books are represented in a diagram. This allows verifying that said layout is not only harmonic and makes the logic of said sources explicit, but also seems to reveal techniques typical of verse –coming from the troubadour heritage– and of prose –the framework used by the Italian Trecento authors–, which would contribute to artistically encrypt the message. This consists of rejecting the misogynistic doctrine of the Petrarchian Secretum, which has contaminated Boccaccio, and adhering to Llull, who has the most intricate artifice of concealment. The investigation is completed by a contrast with the Apologia, which confirms these results.
Images of the body in the rhetorical ethos of Cicero (106-43 a. C.) and Descartes (1596-1650)
Giannina BURLANDO
Original title: Imágenes del cuerpo en el ethos retórico de Cicerón (106-43 a. C.) y Descartes (1596-1650)
Published in The Medieval Aesthetics
Keywords: Body images, Cicero, Descartes, Rhetoric.
The main hypothesis of the study tries to establish that there are images of bodies, which play the role of figuring a certain rhetorical ethos in both Cicero and Descartes. Both are critical authors of the rhetoric inherited from their predecessors, who in turn build their new rhetorical ethos. The first section shows a rhetorical ethos permeated by images of neo-academicist bodies of the mythical-epic type that mirror the vital culture of Cicero. The second to the fifth section includes the perspective and images of neo-Renaissance mathematical-geometric bodies in the work of Descartes, in both cases, the images of bodies have sign value of their times.
Literature as an Instrument of Legal Defense
María DE HOCES LOMBA
Original title: La Literatura como instrumento de defensa jurídica
Published in
Keywords: Apology, Audience, Classicism, Defense, Humanism, Law, Legal, Literature, Oratory, Persuasion, Petition, Rhetoric.
Based on prestigious literary works and the academic training and personal experiences of its authors, it is possible to establish a real and useful relationship between Law and Literature, so the former is capable of influencing Literature beyond mere fiction. These works, which we would call literary defenses would be able to achieve full effects in the real world, directly affecting the lives of their creators, thus fulfilling the intention with which they were written. They could be considered a subgenre on their own, because this insertion of Law in Literature originates a literary work in depth and form, being capable, at the same time, of displaying effects like a legal document.